Audiobooks are made like songs by your favourite bands are. They are recorded in a studio and then released on CD`s, cassettes or are offered for downloading online. Such a recording, instead of chapters in the printed version, is divided into many smaller recordings, lasting up to several minutes so that the listener might continue “reading” as desired. Recorded books follow the colourful variety of their printed counterparts when it comes to themes, therefore apart from various self-help texts, you can find world`s greatest fiction hits as audio editions. Apart from recording previously printed editions, certain companies, like the BBC for example, release only audio editions. The world audiobook market is worth billions of dollars and versions that can simply be downloaded online are most popular versions. Such distribution format is most simple for the publishers, who do not have to worry about the quality of CD`s for instance, but for the listeners as well, especially today when almost every mobile phone has a build in MP3 player. Such form of releasing texts seemed unnecessary to many at first. Books in printed form have been around for centuries, and even the blind, who seem to be the ideal focus group for audiobooks, have their printed editions that are “read” with fingers. The main purpose of audiobooks is not just to help people with special needs, but to enable “healthy” individuals to enjoy literature that is impossible to use as “ordinary” books. Audiobooks are listened to while driving, at work, at all the special places where most people listen to music.

Winner of the Edgar Award, Shamus Award and Anthony Award - the first author to win all three – international bestselling author Harlan Coben’s critically-acclaimed novels have been called “ingenious” (New York Times), “poignant and insightful” (Los Angeles Times), “consistently entertaining” (Houston Chronicle), “superb” (Chicago Tribune) and “must reading” (Philadelphia Inquirer). His most recent novels, THE INNOCENT, JUST ONE LOOK, NO SECOND CHANCE, TELL NO ONE and GONE FOR GOOD have appeared on the top of all the major bestseller lists including the New York Times, London Times, Le Monde, Publishers Weekly, Los Angeles Times, Wall Street Journal and USA TODAY -- and many others throughout the world. His books are published in thirty-three languages around the globe and have been number one bestsellers in more than half a dozen countries. In his first books, Coben immersed himself in the exploits of sports agent Myron Bolitar. Critics loved the series, saying, “You race to turn pages…both suspenseful and often surprisingly funny” (People). After seven books Coben wanted to try something different. “I came up with a great idea that simply would not work for Myron,” says Coben. The result was the critically acclaimed New York Times bestseller TELL NO ONE, which became the most decorated thriller of 2001 – nominated for an Edgar, an Anthony, a Macavity, a Nero, and a Barry; winner of the Audie Award for Best Audio Mystery/Suspense Book (read by Steven Weber); and a #1 hardcover book on the Book Sense 76 list. Coben followed the success of TELL NO ONE with the blockbuster New York Times bestsellers GONE FOR GOOD (2002), NO SECOND CHANCE (2003), and JUST ONE LOOK (2004) and THE INNOCENT (2005). Bookspan, recognizing Coben’s broad international appeal, named NO SECOND CHANCE its first ever International Book of the Month in 2003 – the Main Selection in 15 different countries. Since his critically-acclaimed Myron Bolitar series debuted in 1995, Harlan Coben has won the Mystery Writers of America’s Edgar Allan Poe Award and was nominated for the Edgar two other times. Harlan also won the Anthony Award at the World Mystery Conference, was nominated for another Anthony Award, won the Shamus Award by the Private Eye Writers of America, was nominated for another Shamus, and was twice nominated for the Dilys Award by the Independent Mystery Booksellers Association.

Winner of the Edgar Award, Shamus Award and Anthony Award - the first author to win all three – international bestselling author Harlan Coben’s critically-acclaimed novels have been called “ingenious” (New York Times), “poignant and insightful” (Los Angeles Times), “consistently entertaining” (Houston Chronicle), “superb” (Chicago Tribune) and “must reading” (Philadelphia Inquirer). His most recent novels, THE INNOCENT, JUST ONE LOOK, NO SECOND CHANCE, TELL NO ONE and GONE FOR GOOD have appeared on the top of all the major bestseller lists including the New York Times, London Times, Le Monde, Publishers Weekly, Los Angeles Times, Wall Street Journal and USA TODAY -- and many others throughout the world. His books are published in thirty-three languages around the globe and have been number one bestsellers in more than half a dozen countries. In his first books, Coben immersed himself in the exploits of sports agent Myron Bolitar. Critics loved the series, saying, “You race to turn pages…both suspenseful and often surprisingly funny” (People). After seven books Coben wanted to try something different. “I came up with a great idea that simply would not work for Myron,” says Coben. The result was the critically acclaimed New York Times bestseller TELL NO ONE, which became the most decorated thriller of 2001 – nominated for an Edgar, an Anthony, a Macavity, a Nero, and a Barry; winner of the Audie Award for Best Audio Mystery/Suspense Book (read by Steven Weber); and a #1 hardcover book on the Book Sense 76 list. Coben followed the success of TELL NO ONE with the blockbuster New York Times bestsellers GONE FOR GOOD (2002), NO SECOND CHANCE (2003), and JUST ONE LOOK (2004) and THE INNOCENT (2005). Bookspan, recognizing Coben’s broad international appeal, named NO SECOND CHANCE its first ever International Book of the Month in 2003 – the Main Selection in 15 different countries. Since his critically-acclaimed Myron Bolitar series debuted in 1995, Harlan Coben has won the Mystery Writers of America’s Edgar Allan Poe Award and was nominated for the Edgar two other times. Harlan also won the Anthony Award at the World Mystery Conference, was nominated for another Anthony Award, won the Shamus Award by the Private Eye Writers of America, was nominated for another Shamus, and was twice nominated for the Dilys Award by the Independent Mystery Booksellers Association.

Classic texts, amateur audiobooks, and the grand future of online peer production In the dim, humid basement of his Maryland home, Michael Scherer, a tall 38-year-old with the long, square beard of a mandolin player or a monk, leans toward a rebuilt Russian tube microphone, desperate for silence so he can begin recording a 200-year-old essay by an American founding father. Even in the makeshift studio he has constructed, with thick blankets hanging from nails in the joists and the basement windows plugged with fiberglass, the sounds of lawnmowers, car alarms, birds, air conditioners, and children kicking balls in the street still intrude. “I have to hold on a minute here—there’s a, there’s a truck,” he says. A few seconds later, the truck passes, and he reads in his deep, resonant voice, “The Federalist.” He stops, clears his throat, and begins again. “The Federalist, No. 19.” Scherer posts some of his recordings to LibriVox, an online community of several thousand people all over the world who read and record public domain books, then post them as podcasts that can be downloaded for free. Some LibriVoxers read; others proof, tag, and catalog the sound files, greet newbies, or manage ongoing book projects. After about a year and a half, LibriVox’s catalog contains more than 400 completed works, including novels, poems, histories, travel books, and plays, making it one of the largest audiobook publishers. The goal? To record every book in the public domain, which means everything published before 1923.