Classic texts, amateur audiobooks, and the grand future of online peer production In the dim, humid basement of his Maryland home, Michael Scherer, a tall 38-year-old with the long, square beard of a mandolin player or a monk, leans toward a rebuilt Russian tube microphone, desperate for silence so he can begin recording a 200-year-old essay by an American founding father. Even in the makeshift studio he has constructed, with thick blankets hanging from nails in the joists and the basement windows plugged with fiberglass, the sounds of lawnmowers, car alarms, birds, air conditioners, and children kicking balls in the street still intrude. “I have to hold on a minute here—there’s a, there’s a truck,” he says. A few seconds later, the truck passes, and he reads in his deep, resonant voice, “The Federalist.” He stops, clears his throat, and begins again. “The Federalist, No. 19.” Scherer posts some of his recordings to LibriVox, an online community of several thousand people all over the world who read and record public domain books, then post them as podcasts that can be downloaded for free. Some LibriVoxers read; others proof, tag, and catalog the sound files, greet newbies, or manage ongoing book projects. After about a year and a half, LibriVox’s catalog contains more than 400 completed works, including novels, poems, histories, travel books, and plays, making it one of the largest audiobook publishers. The goal? To record every book in the public domain, which means everything published before 1923.

Audiobooks are made like songs by your favourite bands are. They are recorded in a studio and then released on CD`s, cassettes or are offered for downloading online. Such a recording, instead of chapters in the printed version, is divided into many smaller recordings, lasting up to several minutes so that the listener might continue “reading” as desired. Recorded books follow the colourful variety of their printed counterparts when it comes to themes, therefore apart from various self-help texts, you can find world`s greatest fiction hits as audio editions. Apart from recording previously printed editions, certain companies, like the BBC for example, release only audio editions. The world audiobook market is worth billions of dollars and versions that can simply be downloaded online are most popular versions. Such distribution format is most simple for the publishers, who do not have to worry about the quality of CD`s for instance, but for the listeners as well, especially today when almost every mobile phone has a build in MP3 player. Such form of releasing texts seemed unnecessary to many at first. Books in printed form have been around for centuries, and even the blind, who seem to be the ideal focus group for audiobooks, have their printed editions that are “read” with fingers. The main purpose of audiobooks is not just to help people with special needs, but to enable “healthy” individuals to enjoy literature that is impossible to use as “ordinary” books. Audiobooks are listened to while driving, at work, at all the special places where most people listen to music.

Classic texts, amateur audiobooks, and the grand future of online peer production In the dim, humid basement of his Maryland home, Michael Scherer, a tall 38-year-old with the long, square beard of a mandolin player or a monk, leans toward a rebuilt Russian tube microphone, desperate for silence so he can begin recording a 200-year-old essay by an American founding father. Even in the makeshift studio he has constructed, with thick blankets hanging from nails in the joists and the basement windows plugged with fiberglass, the sounds of lawnmowers, car alarms, birds, air conditioners, and children kicking balls in the street still intrude. “I have to hold on a minute here—there’s a, there’s a truck,” he says. A few seconds later, the truck passes, and he reads in his deep, resonant voice, “The Federalist.” He stops, clears his throat, and begins again. “The Federalist, No. 19.” Scherer posts some of his recordings to LibriVox, an online community of several thousand people all over the world who read and record public domain books, then post them as podcasts that can be downloaded for free. Some LibriVoxers read; others proof, tag, and catalog the sound files, greet newbies, or manage ongoing book projects. After about a year and a half, LibriVox’s catalog contains more than 400 completed works, including novels, poems, histories, travel books, and plays, making it one of the largest audiobook publishers. The goal? To record every book in the public domain, which means everything published before 1923.

Children take great pleasure in listening to stories, and there are some terrific books on CD . You'll find that these books not only provide you with an occasional break from reading (and rereading the same stories again and again); they also enrich your child's multi-sensory experiences with books. Hearing a book read on CD helps a child see how the words on the page can come alive in a fluid, expressive way. It helps her focus on the sounds of words read without interruption and provides a model of fluent reading. Audio books also give her an important introduction to listening — a skill that she must master in order to learn to read. Many books on CD have interesting sound effects, music, and multiple narrators that are especially motivating and fun for young children. Narrators on CD tend to embellish their storytelling with silly voices and dramatic enhancements. They emphasize reading as a source of pleasure rather than a skill, and make children eager to learn how to read. Beyond their sheer enjoyment of audio books, children also develop a sense of narrative structure and understanding of language. Stories on CD help them to grasp the rich and various ways in which language distills and conveys meaning. In addition, exposing your child to a range of narrators and their different styles of reading will deepen his grasp of the reading process. Teachers often set up a listening center so that two to four children can listen to the same book at the same time. This can provide a wonderful opportunity for children to hear their favorite books read aloud again and again. The more they listen, the greater the likelihood that they will learn new vocabulary words. And, when listening with a special friend, the opportunities for playing creatively and acting out parts of the story are endless.